A naked man hangs from the ceiling. His long-limbed, life-sized body is the rst thing coming into view, as the heavy studio door opens. The room with high ceilings and the cathedral-like windows is located in a former factory building of the “Duewag” on the edge of the Lierenfeld industrial estate. There is a strong smell of wood in the air. The male nude’s eyes are closed. He is slim, slender and made of limewood. This is the wood from which most of the sculptures of the Düsseldorfer artist Paloma Varga Weisz are made.
Düsseldorf has been one of the mainsprings of European art in the past decades. And the Kunstakademie acts as its tireless engine, continuously attracting internationally renown professors and producing graduates who quickly become stars of the art scene in their own right. It’s no wonder the city not only boasts world-class museums but also quite a few galleries and not-to-be-missed art events.
“My own unpunctuality is my rebellion against my father’s punctuality”, says Gil Bronner when he walks through the door of his Philara Collection only slightly late. The former glass factory Lennartz that the property developer bought and rebuilt extensively over the course of two years lies in a shabby backyard off Birkenstraße.
A visit in Chris Succo’s studio: The silver-grey roll-up door is being lifted after ringing Chris Succo Studio’s doorbell. Behind the shutter appears a man with messy blond hair, all dressed in black and a band sweater. We walk past a black Mini and a storage area towards the main studio with its red couch.