A naked man hangs from the ceiling. His long-limbed, life-sized body is the rst thing coming into view, as the heavy studio door opens. The room with high ceilings and the cathedral-like windows is located in a former factory building of the “Duewag” on the edge of the Lierenfeld industrial estate. There is a strong smell of wood in the air. The male nude’s eyes are closed. He is slim, slender and made of limewood. This is the wood from which most of the sculptures of the Düsseldorfer artist Paloma Varga Weisz are made.
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Get into the car at the weekend, leave Düsseldorf ’s city limits behind and drive to the neighbouring region of the RUHR AREA to enjoy a bit of cultural diversity. ‘Ab in den Pott’ as the locals would say. It is a region that made history due to its heavy industrial manufacturing past. Even though the collieries were closed long ago, the Ruhrgebiet remains acutely alive due to its extremely high population density.
In December of 2016, the writer Christine Weissenborn together with her sister-in-law, the illustrator Sarah Neuendorf, published the delightful children’s book ‚Greta’s sister‘. Exclusively for THE DORF THE MAG the two of them have placed Greta, the whale and Anuk, the island girl in Düsseldorf and tell the story of why Greta is swimming in the Rhine. And what carnival has to do with the South Sea.
“My own unpunctuality is my rebellion against my father’s punctuality”, says Gil Bronner when he walks through the door of his Philara Collection only slightly late. The former glass factory Lennartz that the property developer bought and rebuilt extensively over the course of two years lies in a shabby backyard off Birkenstraße.
For our photographer Sabrina Weniger, tiny Wallstraße in the heart of the old town perfectly reflects the native and true Düsseldorf: a bit rough and eccentric, a bit chic and elegant, a bit old and dirty and most of all: with its heart in the right place. Even though it’s located directly in the city centre, it is easily overlooked.